Under the title “HEMA-MORPHY” is a visual fairy tale, developed and created through the media of contemporary art. It spreads a semi-imaginary, chthonic land to the viewer. The visual tale takes the viewer to a liminal encounter with Otherness as if it emerged from the bottom of the nightmare of anthropogenicity. What place does the viewer take in the cosmos of a tale of transforming identity?

The spatial phenomenon is most easily classified as a site-specific. At the core of the installation are the biomorphic objects in which biological life has been implanted. The form is full of biochemical transformations and instabilities. Decay exists in it pararell to the appearance of successive events. With each occurrence, the installation looks slightly different, reacting to the space with which it enters into a relationship.

The objects extracted from the periphery of the antropogenic world (metal, textiles, plant fibers) as well as appropriated from the nonhuman (red clay iron, plant seeds) were used to evoke a Hema-Morphia. Matter is treated as a carrier of meanings and memory of various kinds by the artist. A creative process evokes a magical incantation.