The drawing reality of the „Szroń” (eng. Hoarfrost) cycle began with finding an old notebook with a printing error in an antique shop, a piece of mycelium on an old board and spending the winter in a mountain cottage where every night the windows were covered with frost drawings. The line-thread drawing articulation stimulated repetedly transformed into a contemplation of time and a question on what is focused between the paper and the tip of the pen.